Adult Fiction · Book Review · Fantasy/Magical Realism

The Kingdom of Copper

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I don’t usually review sequels here because to care about the sequel, you probably need to have read the first book. It’s also hard to talk about a second book in the series without spoiling anything, but my reading time has taken a big hit this year because of work, so we can’t be too choosy about what we review! But, I have to say, The Kingdom of Copper helped me get out of a bad reading slump because it’s just a fun, creative series that I genuinely enjoy.

Nahri thought she was just a regular orphan girl from Cairo with some… odd powers. But one day she accidentally summoned a djinn who whisked her away to a whole new, mythical world. In The City of Brass we followed Nahri and her friends as she became accustomed to her magical home of Daevabad and her new life as part of its royalty. In The Kingdom of Copper there is trouble brewing in Daevabad. The various tribes of djinn have always had their grievances about each other, but now the city has become a tinderbox looking for a spark. When everyone has their own motives for power and peace, Nahri must confront both her friends and enemies for a happy future in Daevabad for her and her people.

I would say that author S. A. Chakraborty stepped up her writing in this sequel. I mentioned in my review of The City of Brass that the book read a little on the Young Adult side and would be a good series for readers who are looking for something to bridge the gap between YA fantasy and adult fantasy. The Kingdom of Copper still has a slightly younger leaning to its writing and characters, but overall, both the writing and characters have matured a lot. Since there appears to be a gradual maturing of the writing and characters, I maintain my judgment about this series being great for readers who are just getting into adult fantasy from YA fantasy. There’s still a bit of a love triangle in this book, but it does not get in the way of the plot. In fact, I would even say that slightly awkward romantic asides in book one were practically absent in book two. In my opinion, this is a good thing, but if you like a good bit of  romance in your fantasy, this series might not be the best choice.

I really like the characters in this series. Nahri has a lot of spunk, but she isn’t stupid or reckless. She is a smart, resourceful girl who knows when to bide her time for sweeter revenge later. She was a little too headstrong and emotional in book one, but Nahri was the character that I felt grew the most in this sequel. Ali, a prince of Daevabad, has also matured as both a warrior and diplomat. He is still very rigid in his beliefs, but he has learned to use his brain and brawn much more carefully. I would say that all of the main cast (and there are quite a few) are well written with a good amount of depth. The secondary characters (again, quite a few of them) have less purpose and depth and seemed to be there mostly to have a sad death scene. Maybe some of them could have been utilized more, but it would have been difficult to give them all a good amount of “page time” without derailing the story or making it overly complex.

Probably my favorite thing about this novel and this series is that it is so politically intricate. I would not say it is as complex as something like A Song of Ice and Fire, but I loved how every single character had their own independent agendas in addition to their tribe’s or group’s plans. Even if Character A is on one side of a fight, Character A may still sympathize with another group’s plight in some specific ways. In short, it felt realistic. War is never completely black and white because of all of the different lives that get tangled up in it. The Kingdom of Copper just does gray areas well. I rooted for specific characters instead of taking just one side, which made my feelings about certain events mixed– both happy and yet sad. And although I do not want main characters I love to die, I hope the author considers the possibility in book three so that this does not become a series in which everything and everyone has a happy ending. It would not feel as realistic as I have come to expect from the first two books.

I really look forward to the last book in this series. I feel like it will come to another happy/sad conclusion, but it will be a realistic and fulfilling conclusion. A lot of bad things happen in this series, but there has yet to be a big event where justice is served. I am hoping that book three will give me the closing I am craving. When the time comes, I will be on the lookout for an ARC of the last book, and you’ll probably see a review. But, here’s to at least a year of waiting.

 

Adult Fiction · Book Review · Science Fiction · Short Story Collections

Invisible Planets

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I know the subtitle of this blog is “spoiler free reviews (almost) every Saturday,” but just know that every time I have to skip a week… I feel guilty about it. Despite the delayed post, I actually read this book quickly when I had time to read it. Invisible Planets is exactly as the subtitle says: Contemporary Chinese Science Fiction in Translation. I am still new to science fiction, so maybe my opinion doesn’t mean much, but if you’re also a “newbie” to the genre, I hope my perspective helps. Settle in though. This will be a long one.

I chose this collection because I have enjoyed Ken Liu’s past work, and I believed that he would translate and put together an interesting collection of work from various authors. I was not wrong. There are a variety of writing styles, settings, and themes between the stories. Seven authors (most are also newer voices in the genre) are featured in the collection, and each author has 1-3 short stories. I found myself easily gravitating toward some authors and confused by others, but there should be a little something in here for anyone.

If you’re unfamiliar with fiction in translation or have some reservations about understanding any cultural/political nuances in Chinese sci-fi, this is actually a great collection to start with. In the introduction of the collection, Ken Liu explains that he has selected short fiction that he thinks Anglophone readers will appreciate. Still, he urges Anglophone readers to try not to view the stories through a “lens of Western dreams and hopes and fairy tales about Chinese politics […] Chinese writers are saying something about the globe, about all humanity, not just China, and trying to understand their work through this perspective is, I think, the far more rewarding approach.” And, if you want a little extra information about Chinese science fiction, the anthology includes three essays at the back of the book on the subject. As I said, this is a great place to start for Chinese sci-fi. It just feels “dummy proof” for an English reader.

I find it difficult to review any anthology collection in a broad way because there are so many different authors and stories, so I will briefly discuss the authors, my impression of their styles, and a little bit about their stories that appear in the collection.

Chen Qiufan: “The Year of the Rat,” “The Fish of Lijiang,” and “The Flower of Shazui”

Chen Qiufan’s stories may not have been my favorites, but they certainly made me think. Ken Liu described his work as “melding a global, post-cyberpunk sensibility with China’s traditions  and complex historical legacy.” I found some of his stories disturbingly real. For example, in “The Year of the Rat,” the protagonist is at war with genetically engineered rats with human-like characteristics. The near-humanness of the rats was contrasted against humanity’s and society’s often barbaric side, so it made me uncomfortable in a thoughtful way. Chen Qiufan’s stories feel smart; there’s a lot to unpack and examine in each one, but you can still enjoy them without doing much deep reading.

Xia Jia: “A Hundred Ghosts Parade Tonight,” “Tongtong’s Summer,” and “Night Journey of the Dragon-Horse”

Xia Jia’s work was what drew me into this anthology. According to Liu, she describes her own style as “porridge SF,” apparently meaning that she considers herself a mixture of “hard” and “soft” sci-fi. I was drawn to Xia Jia’s work because of her lyrical and descriptive writing style. “Tongtong’s Summer” was a heartfelt tale about an injured grandfather and the summer that he had to stay with his granddaughter and her parents. Grandfather and granddaughter initially have a hard time getting along, but their relationship blossoms into something very sweet. “Night Journey of the Dragon-Horse” was another of my overall favorites in the collection. It felt like a fairy tale about the passage of time and the how memories can transcend time. I found her stories to be hauntingly beautiful, and I would very happily read more from her if I could.

Ma Boyong: “The City of Silence”

“The City of Silence” was the only story by Ma Boyong in the collection, but it felt like a full length novel. (Or, because of the ending, it could also be a prologue to a great sci-fi novel…) The story focuses on a protagonist who lives in a society with very strict censorship. It is so strict that there is a list of “Healthy Words” everyone must use in their writing and speech, but every day the list of acceptable words grows smaller and smaller. The story discusses the relationship between humans, language, and freedom of expression, but it also goes deeper than that. The characters and how they live in the cracks of this increasingly silent society are extremely interesting. It showcases humanity’s adaptability as well as our limits of what we can endure.

Hao Jingfang: “Invisible Planets” and “Folding Beijing”

Both of Hao Jingfang’s stories were a bit surreal. “Invisible Planets” is structured as if the narrator is talking to another person and telling them about different planets and their inhabitants. The “meaning” of the story is hidden between the planet descriptions and the conversation between the narrator and listener. “Folding Beijing” takes place in a Beijing that can fold itself away at certain times of the day, flip completely over, and unfold itself for another set of residents on the other side. A man in a low class part of the city attempts to illegally travel between the Beijings to deliver a message for pay. Both stories were beautifully written and very creative in both their themes and world building.

Tang Fei: “Call Girl”

“Call Girl” is about a young call girl, but she isn’t really that kind of call girl. I think. She does something with dreams… maybe? I was a little confused by this one, but it was pleasant to read. The point likely flew over my head.

Cheng Jingbo: “Grave of the Fireflies”

“Grave of the Fireflies” felt like a fairy tale. Despite the first person narration, I felt distanced from the characters because of the history-book tone. It was a love story on a planetary, thousand-year scale. The writing was very descriptive with often surreal metaphors. The story felt familiar because it read like an Arthurian tale but with an Eastern flair and some technological/scientific influences making it wholly unique.

Liu Cixin: “The Circle” and “Taking Care of God”

Liu Cixin’s stories were some of my favorites. They have interesting plots with deeper underlying themes. “The Circle” takes place during the reign of the first emperor and involves mathematics, betrayal, and history. It was a very entertaining and smart story. “Taking Care of God” is also very intelligently crafted. Many elderly human looking beings visit Earth, all claiming to be God and requesting food and shelter from humans. Is it a critique on how society treats the elderly? Is there some religious debate in there? There’s certainly some analysis of humanity in it. No matter what meaning you draw from the story, it is humorous, introspective, and sad.

Adult Fiction · Book Review · Fantasy/Magical Realism

The City of Brass

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I looked at my shelves the other day and realized that there was nothing on my there that I was truly interested in reading at the moment. This has been a big problem for me in the past year, so I took a couple of bags of books and sold them to a secondhand bookstore. While I was there and because of my reading slump, I decided to buy one book that I was interested in reading right that second, take it home, and read it immediately. So, I did.

Nahri scrapes by in 18th century Cairo by being a little shady in her business dealings. She steals, lies, and cheats her way to a meager living every day. It helps that she has some magical abilities like healing small wounds and instantly understanding most languages she hears. When she attempts a ritual to remove the supposed spiritual possession from a child, she accidentally summons a real djinn. Dara the djinn introduces Nahri to a hidden, magical word populated by the djinn, their descendants, and a whole host of strange mythological beings. Nahri quickly learns that she has a stake in this magical world that she never asked for.

I haven’t had this much fun reading a book in a while. In many ways, this book is nothing too ground breaking or special, but there’s actually quite a bit going on under the surface. To begin with, this is a novel based on Middle Eastern mythology and Islamic beliefs. The author herself is a Muslim convert. The novel is told in third person perspective with a focus on the perspectives of Nahri and Ali, a prince in the djinn’s world. The world is expansive and the characters are interesting, but the novel suffers from a few issues and tropes common to recent fantasy releases. However, it has a lot more complexity and heart than many overly hyped reads in the same vein.

Although this book is classified as adult fantasy, it reads a little younger. The writing itself, some of the plot devices (read: tropes), and some of the characters come off a bit “less adult” than I usually read. There’s actually quite a bit of violence and some adult themes though, so don’t be too turned off by the slight YA feel. If anything, it just reads more quickly because of this, but it does not feel overly childish. If you usually read adult fantasy, you may have some issues with the writing, but if you usually read YA and are looking to dip your toe into adult fantasy, this would be an excellent starting point.

A few common complaints I see from other reviewers are that the world is too confusing (there’s a glossary in the back of the book!), there is a lot of information dumping, and that the plot becomes too slow in the middle of the novel. I would say that I partially agree with all of those comments, but I feel like the book deserves a little defense in those respects. The world building of the novel is actually quite good in my opinion. The world feels “off the page,” meaning that it feels like it has a long, rich history intertwined with some of familiar real-world history. Does the mythology and history of the world get “dumped” on the reader all at once? Maybe.

The book is packed with action and adventure, but near the midpoint there is a definite dip in action. There is a long travel sequence in the early to middle part of the book. During the traveling, the characters discuss the history of the world at length. Because this information about the world is sandwiched between so much action and because of the complexity of the world, I can see why many readers complain about the slowness of the middle of the novel. While I do wish that the travel scenes were shorter and that the world building was woven more smoothly throughout the novel, it isn’t a major issue in my opinion. However, I do feel like too much of the history/mythology of the world was packed into the first book in the series. The end in particular felt as if the author was throwing a lot of mythological curve balls at the reader to add twists and complications to what you thought were the rules of the created world. This was a bit confusing, but it also intensified my desire to read the sequel so that I could hopefully get some answers.

Remember when I mentioned tropes earlier? As with many fantasy novels, we have the “normal girl finds out she is special and has to save the world” plot. Although the first book is not yet focused on saving the whole world, it hints at larger evils and problems to come in the subsequent books. To me, the more egregious trope is the dreaded love triangle. I hope that the sequel dispels the implications that a love triangle is developing, but it is a possibility that it may become more integral to the plot as it moves forward. There’s also (unless I am reading it completely wrong) some hope of a bi/gay relationship between a couple of the characters. Despite all of the romantic speculation, I would not say that this book is a romance masquerading as a fantasy, as some YA and adult fantasy seem to be guilty of doing. Although the romantic pairings have some importance to the plot, it does not distract from the major plot devices so far.

This review actually turned out to be pretty long, so I think I will wrap it up. The final verdict: The City of Brass is an imperfect but extremely entertaining and interesting fantasy novel. It gets tangled up in a few tired tropes, but it is overall worthy of some recognition for its representation, creativity, world building, and endearing but flawed characters. I thoroughly enjoyed reading The City of Brass, and I plan to pick up the sequel, The Kingdom of Copper, released on the 22nd of January in the U.S. I gave The City of Brass a rating of 4 out of 5 stars.

 

Adult Fiction · Book Review · Children's Fiction · Fantasy/Magical Realism · Young Adult Fiction

Odd and the Frost Gaints

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What would 2019 be without some Neil Gaiman? The edition I chose to read is illustrated by Chris Riddell, who sometimes provides illustrations for Gaiman’s works as well as writes and illustrates his own books. He and Gaiman have worked together on editions of Gaiman’s The Graveyard Book, The Sleeper and the Spindle, and Fortunately, the Milk… I absolutely love Gaiman’s fun, fantastical stories being accompanied by Riddell’s fairy tale-esque, full-of-personality illustrations.

Odd and the Frost Giants follows a boy named Odd. Odd’s father died in a Viking raid, and his mother married another man she was not in love with. Odd, unhappy with his new living situation, leaves his village to stay in his father’s woodcutting hut. He meets three strange animals in the forest who are much more than they appear to be. It is up to Odd to help the animals reclaim their true forms and their homeland.

In case you don’t already know, Odd and the Frost Giants is a short, lighthearted story about the Norse gods Odin, Thor, and Loki. Picture it as Neil Gaiman’s Norse Mythology-lite. It is a simple adventure story that would be appropriate for both young and older readers, but the language is not overly simplistic. If you have some knowledge of Norse mythology, you will find a few Easter eggs and nods to other Norse myths in Odd, but having little to no knowledge will not hinder your enjoyment of the tale at all.

I would recommend Odd and the Frost Giants to anyone who enjoys an adventure story, Norse mythology in a more lighthearted structure, and fans of Gaiman’s other writing. Odd and the Frost Giants is a quick and enjoyable read, but it is not necessarily the deepest of Gaiman’s work, if that is what you are looking for.

Adult Fiction · Book Review · Historical

The Essex Serpent

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Cora Seaborne’s husband has passed away. She isn’t terribly upset about this, but she knows she should act the part of the bereaved widow. Cora is a free spirit who enjoys nature and science. A woman being interested in these “masculine” subjects is frowned upon in 1890’s England, but she does not care. Upon hearing about the sightings of the “Essex serpent,” Cora moves herself, her son, and her female companion to the countryside to investigate the serpent. However, Cora finds much more than a mythical beast. She finds love, friendship, and her identity.

If I had to describe this novel in one word, I would choose slow. The pace of the plot and character development is steady but slow, which may turn off some readers. If you want to relax, enjoy beautiful writing, and read about some Victorian romantic drama with a touch of feminism, I would say that The Essex Serpent is a good fit. Personally, while I enjoyed what read, I had to push myself through the first 100-150 pages. I listened to most of the novel on audio book just to get into the story. However, once I become attached to the characters, it became a much more enjoyable reading experience.

Despite my summary and most blurbs going on about Cora, there are at least a dozen other characters in the novel that get not insignificant page time. Most of them are well developed with their own beliefs, personalities, and relationships. (There are a few that I would have liked to see more of, particularly Cora’s son.) There are also love triangles and romantic pairings everywhere. The book is less about the mythical serpent and much more focused on the relationships (both romantic and not) the characters have with one another. This is not a bad thing, but it should be said so that no one gets the wrong idea about the plot. Yes, the serpent is alluded to often and has an effect on the townspeople, but it seems secondary to the lives of the main characters.

I was slightly disappointed by The Essex Serpent, but I had very high expectations for the mythological aspect of the novel. This is much more of a Victorian romance with a bit of folklore thrown in. Still, I would give The Essex Serpent a 3.5 out of 5 stars for its beautiful writing and strong characters.

Adult Fiction · Book Review · Fantasy/Magical Realism

Deathless

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So, I really like fairy tales, folklore, and mythology. I also like the fantasy genre. If you give me a fantasy novel that has a lot of inspiration from the fairy tales, folklore, and mythology, I am almost certainly going to love it. Meet Deathless, a fantasy novel with a heavy dose of Russian folklore and fairy tales.

Marya Morevna is a human girl living in Russia during the Russian Revolution. Throughout her childhood, Marya occasionally saw glimpses of what she called “magic.” Her sisters married birds who turned into men before her eyes, and she has seen domovoi meetings within her family’s home. So, when another bird-turned-man shows up at Marya’s door asking for her hand in marriage, she isn’t too surprised. In fact, she expected it and waited eagerly for the day. However, her husband to be isn’t quite what she pictured. What she does not yet know is that her future husband is Koschei the Deathless.

I could say more. I could say a lot more, but just know that this novel is packed with Russian myths, history, and culture. I will admit that a lot of it went over my head in the early chapters. Since I never studied much Russian anything in college, I was torn between looking up the tales and avoiding them like the plague because of possible spoilers. If I could go back in time before I started the novel, I would probably brush up on the stories about Koschei as well as other Russian mythological creatures and figures. Doing this might help add some context to the references and make it easier to picture some of the other creatures/characters. Even though the author takes her own creative liberties with certain details, having some foundation of what she is describing would have helped me at least.

OK, onto the regular stuff. How are the characters, plot, and everything else? Pretty great, actually. Marya grew as a character at a believable and nonlinear pace. She started out as a young, naive girl, and even though she did something brave, strong, or clever, that does not mean she will always be brave, strong, or clever in the future. Sometimes she regressed a bit as she progressed, and I found that to add a lot of depth and realism to her character. She also struggled with morality, power, and relationships. Marya is flawed and imperfect, but it is impossible not to cheer for her and her fiery spirit to succeed. The other “demons” in the story, like Koschei, were lively and well written, but some of Marya’s less important friends and allies didn’t make as much of an impression.

I admittedly struggled with the plot of the novel, but I think that was more of a problem with my own mindset than it was with the book itself. I got into a horrible reading slump at end of November and start of December that made me not want to pick up anything. The beginning of Deathless went a bit slowly as we are introduced to Marya and watch her grow up. When Koschei entered the picture around fifty pages in, the plot sped up, as did my interest. Without my reading slump, I would likely have had no issue with the pace.

Deathless is a very unique read that fans of Russian folklore or general fantasy might adore. My verdict is a rating of 4 out of 5 stars, but I would not be opposed to changing my rating to a 5 when I inevitably reread this one.

 

Adult Fiction · Book Review · Contemporary

Mira Corpora

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This was a weird one. I keep seeing a specific line associated with this book everywhere. This novel is supposedly “a coming-of-age story for people who hate coming-of-age stories.” That alone got my attention. I am not a big fan of coming-of-age stories any more, but that’s a unique way to sell your book.

Mira Corpora is a fantastical autobiography. Some of it might be true, but there’s probably at least a little extra magic and drama thrown in. It is written as if the author, Jeff Jackson, went through everything, but it is also implied that some things are made up. I would put aside guessing what is true and what isn’t while you read the novel. Just enjoy the wild ride. It is dark, heartbreaking, and haunting. There are homeless feral children, a missing rock star, and a boy who seeks to find himself by himself.

Mira Corpora is not an enjoyable read in the same way that A River in Darkness is not “fun” to read. At least some of Mira Corpora really happened, and Jeff Jackson is just a kid throughout most of the book. There are some terrible things that happen to him, so I’ll just say that a broad trigger warning is probably needed for this one. If you can get past poor Jeff’s trials, it has a very interesting but meandering plot. Parts were surreal and felt like a drug-induced haze. Other parts are just tragic. The main character’s growth is easy to see. There are part or section headings that tell how old he is, but beyond his age, he slowly becomes more self assured and confident, while the earlier sections have a touch more innocence and child-like wonder.

I’ve really never read anything quite like this, so I am having a lot of trouble reviewing it. Think of something like Lord of the Flies, but with one kid trying to survive, some untrustworthy adults in our often strange and unforgiving society, and scenes that almost make you feel high but also sad. If you’re looking for something truly different and you want a book that is “a coming-of-age story for people who hate coming-of-age stories,” this might be for you. At the very least, the novel made me want to know more about the author’s life. Three out of five stars for Mira Corpora, mainly because there’s a lot to digest, and it was a bit too dark for my mood when I read it.

Adult Fiction · Book Review · Mystery/Thriller

Ancient Oceans of Central Kentucky

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I am back with another Two Dollar Radio book review. You know those “blind date with a book” things where you get a random book? The book might be wrapped up so you can’t see the cover, but a few details, like themes, setting, similar titles, are usually written on the wrapping. Anyway, I bought some surprises, and I was pleasantly surprised that I liked what I got!

Leah Shepherd’s life is rather mundane these days. Her job is to assist poor women and children at a nonprofit organization in Kentucky. She is not married and has no children, but she is active in her church and helps little old ladies. However, when Leah was a young girl, her brother Jacob went missing. His disappearance has haunted her for many years, but now she may have to confront her troubling past. A man contacts Leah at work claiming to be her lost brother.

There’s a mystery in this novel, but I am not sure if I would call it an actual mystery novel. The plot feels too quiet, too literary, and too experimental to appeal to readers who love traditional mysteries or thrillers. The prose in Ancient Ocean of Central Kentucky is very descriptive and very beautiful, but it is also a little on the experimental side because the author does not follow traditional grammar rules. There are incomplete sentences, run-on sentences, and though it is not written in verse, it at times reads like poetry. The feeling of the novel rests on the prose. Short, choppy lines make the plot hurried and urgent, while long, lazy lines evoke the slow, sticky feeling of a warm summer day. The author uses descriptions of people, places, and random objects to paint his settings. The description at times feel random in what is focused on or mentioned, but together, the lines paint a very realistic and lively sense of place.

The plot itself is realistic, but the writing gives the novel a surreal, dreamy quality. Much of the novel is in a kind of stream of consciousness style. Time periods, perspectives, and settings all come and go between paragraphs, but there are many page breaks between the paragraphs, so it does not feel too confusing. This is the kind of novel that you read less for the plot or character development and more for the feeling the words on the page evoke within you. The author gives a clear picture of the characters because he uses the same descriptive style. We may never find out exact answers about the characters’ lives, but we are given just enough details and scenes to ascertain who these people are and what drives them. Leah, of course, is the main focus, but even the nameless women who come into her office seem like real people.

This is a very unique novel in its writing and plot, but I wouldn’t say I felt confused during my reading experience. However, at times I felt like I was taking a peaceful but un-directed float down a lazy Kentucky river in the summer. If this sounds like your kind of thing, go for it. I had a great reading experience with this novel, and I hope other readers also give it a chance. I rated Ancient Oceans of Central Kentucky four out of five stars.

 

Adult Fiction · Book Review · Mystery/Thriller

All the Missing Girls

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Nicolette Farrell is back in Cooley Ridge, North Carolina for the first time in ten years. As a teenagers, Nic, Beth, and Corinne tore up their small town. They were always taking risks, causing trouble, and the rumor was that they swapped boyfriends sometimes. Those wild, carefree days came to an abrupt end when Corrine disappeared. After her disappearance, Nic moved away from everything she knew to start a new life. Now Nic’s father is ailing, and her brother has called her back to help sell their father’s house. But soon after Nic returns, another young girl goes missing.

The gimmick of this thriller is that it is told backwards. There are few chapters in “present time” to orient the reader, but then the story skips ahead a couple of weeks. From then on, each chapter tells about the previous day’s events. So, after the first few chapters, we start on Day 15. The next chapter is Day 14, then 13, 12, etc. Slowly everything is revealed about Nic, her past, Corinne’s disappearance, and the new disappearance Nic is present for. This is a creative way to organize the plot, but I felt that the execution was imperfect. I am not saying I could do better, but as a reader, it was sometimes a bit hard to keep things chronologically in my mind when the book/plot was going backwards. Beyond that, there was not anything too special about this thriller. It did the small town mysterious vibe very well though.

Organizational choices aside, how was the rest of the novel? It was OK. There were a good number of twists, and some caught me by surprise. There were quite a few secondary characters that matter to the plot. They are written well enough to not be confused with each other, but none of them stand out. I had to look up some of the characters’ names (including the main character’s) even though I only read the book a week ago. No one was very memorable.

Some of the conflicts in the novel made me frustrated. I am beginning to really hate when characters have disagreements that are easily solved by simply communicating. I realize that miscommunication happens a lot in real life, but sometimes these characters (mainly Nic) would neglect to tell another character something important, only to have it come back to bite them in the ass later or it created some misunderstanding that could easily have been prevented. Nic is a character that has a lot of secrets, but I could not always get behind her actions and decision-making. Still, she was not as frustrating as the main character in The Woman in Cabin 10

So, yes, this was a very “OK” read. It was nothing too special, but I did blow through the first half of the book in one day. Of course, it took me about a week to pick it back up again and finish it. If you would like to read a small town domestic thriller with a uniquely organized plot, you might want to try All the Missing Girls.

Adult Fiction · Book Review · Mystery/Thriller

The Woman in Cabin 10

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I love mystery/thriller novels, but I realized I had read all of mine on my to-be-read shelf. This led me to discover a little app called Scribd where I could download and rent audiobooks, ebooks, and magazines for a small, monthly fee (less than Audible with unlimited books, not sponsored of course). Since I was also going on a 12 hour drive, I decided I needed something audible and suspenseful to keep me awake. I had never read anything by Ruth Ware before, but I knew she had been getting some buzz about her novels. So, I chose The Woman in Cabin 10.

Laura “Lo” Blacklock gets a chance report on an exclusive cruise ship for the magazine she has been working at for several years. This could be her big chance to make a name for herself as well as schmooze with rich and influential people. The perks of getting on the luxurious cruise with a press pass don’t hurt either. Lo is installed in cabin nine of the small cruise ship. Before the first night’s dinner on the cruise, Lo meets a strange young woman in the next door cabin– cabin 10. Lo continues with her night of drinking and getting acquainted with the rich and famous passengers, but she never sees the woman from cabin 10 at dinner. When Lo finally lays down to sleep, she hears a scream and a splash from the direction of cabin ten’s balcony. Lo reports what she has heard to the crew, but… no one is registered to cabin 10 and no passenger or crew member is missing.

I liked quite a few things about this novel, but in the end it was a middle-of-the-road read. I liked the closed setting of the cruise ship in the cold sea. The writing was not extremely descriptive, but it set the tone and atmosphere very well. The suspense built at a steady pace until around the halfway point. After perhaps 60-70% of the book, things began to fall apart for me. Up until that point, the plot felt like a very entertaining nod to an Agatha Cristie novel. Then, well… things got weird.

Let’s back up a bit. My main dislike throughout the novel was our main character, Lo. The novel is told from her first-person perspective, so we get into her mind a lot. Despite being in her head, she made some odd decisions that I could not understand her logic for. At one point, Lo is scared and alone in her apartment at night. She has had a traumatic experience with a burglar earlier that day, and everyone makes a point to tell her that burglars commonly return to a place they have burgled before. Understandably, she cannot sleep, but she decides it is a good idea to leave her house with its repaired and improved door locks while in her pajamas after midnight and walk around the city. There are also a few smaller examples of her questionable decision making, like the instances when she gets drunk even though she says, repeatedly, that she should not. She does very little research on the cruise when it is supposedly a career making opportunity. She is assaulted by a man, but cries on his shoulder in the next scene. There were multiple instances of me yelling at the audiobook for her to do something. At times, Lo is frustratingly passive about what is happening around her.

My favorite part of a novel like this is getting to know the side characters and guessing who the bad guys are. The Woman in Cabin 10 did this for a bit, but as I said, near the end it lost its way. The climax felt sudden, and the resolution did not make a lot of sense. Again, Lo made some odd decisions. She trusted people she should not and told other people things she should not. She did not listen to explicit advice from other characters. It is stated that she has depression and anxiety (and perhaps a drinking problem), but that does not explain her lack of logical thinking and carelessness.

The Woman in Cabin 10 was entertaining, but it was not without its issues. I enjoyed the audiobook itself. It was read very well, but Lo’s character made me want to tear my hair out. I rated The Woman in Cabin 10 a respectable three out of five stars.