Adult Fiction · Book Review · Science Fiction

Annihilation

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These past two weeks I have been in Hong Kong. I actually read a lot during the flight there and back (14-16 hrs per flight), but I had no time to review anything because I was still working and adhering to deadlines with a 12 hour time difference to take into consideration. Excuses, excuses, but this has been one tough spring for me. But this is a book blog, so let’s move onto the books!

After reading Jeff Vandermeer’s creative writing guide for sci-fi and fantasy, Wonderbook, I was feeling guilty for not reading his actual novels. How can you take someone’s writing advice when you don’t even know if you like their own work? I don’t know, and admittedly that was not the right order to do things… but I can say I have read his work now, and yes, I liked it.

Annihilation is the first book in Vandermeer’s Southern Reach trilogy. This first volume is very short at just shy of 200 pages, but it packs quite a punch. In the novel we follow “the biologist” as she and her colleagues explore a place called Area X. The Southern Reach is the entity that puts these expeditions together with volunteers from various fields. Previous groups have died or experienced changes in themselves. The biologist is on expedition number twelve with three other women: the anthropologist, the psychologist, and the surveyor. Together the four women enter Area X, knowing that they may never return– or at least not as who they once were.

I would call this novel a sci-fi thriller. The happenings of the novel have some basis in science, but it gets a little weird at times. There are some good suspenseful parts, and there are some survival/mystery elements that can easily hook readers. This is a novel that you have to be OK with being confused or lost. For much of the novel we see strange animals, plants, and places with few concrete explanations. The characters become unreliable at times because they are never quite sure if they can trust their senses. Despite the characters lacking actual names, I did not feel emotionally disconnected from them. The biologist is the narrator, and we get many scenes of her remembering her past. Plus, you’re in her head the whole time. However, I can see how any or all of these factors might leave the reader feeling lost, and the ending gives few answers. It is something to aware of, but if you like open-ended novels, this is such a quick and engrossing read that it does not hurt to try!

I gave Annihilation four out of five stars. It was quick, fun, suspenseful, and wonderfully weird. I wish that there had been a bit more direction and clarification in the ending especially, but I enjoyed what I read here and am looking forward to seeing what books two and three have to offer.

 

Adult Fiction · Book Review · Science Fiction

Binti

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Apparently this is the year of sci-fi for me. It isn’t a genre I often reach for because I simply like other genres more. I’ve never been that interested in books about space travel and advanced technology. Give me swords and sorcery any day, but at least I am aware of the fact I should branch out!

Binti has been accepted into the most prestigious school in the galaxy, Oomza University. But Binti is Himba, and her people simply do not leave Earth. Binti sneaks away in the night to leave for her new school because she knows her family will disapprove. As she travels through the stars to her new life, her ship is attacked by the Meduse, an alien race with a long history of war with some humans on Earth.

Binti tells her story in first-person perspective, so it is very easy to get to know her. She is a headstrong, brave, intelligent, and resourceful girl who takes her fate into her own hands. She clearly loves her family and has pride in her people’s traditions. As Binti travels to her new school, she sees humans from different cultures. Her ways are strange to the majority, so she faces some “curiosity” from other people which is really just discrimination. The themes of ignorance breeding hate and listening/learning leading to understanding of differences are touched on a few times even in this short (~100 page) first novella of the series. The other major theme is fitting in and finding yourself in a very different world from what you know, which is actually very easy to relate to for any young person going off to college– across the galaxy or across the country.

It is hard to not recommend such a quick and compelling read. I enjoyed this first novella in the series, but I am unsure if I will continue it soon. I listened to this as an audiobook instead of reading a hard copy, and I would say that the audiobook was a good experience. I prefer reading the hard copy of fantasy/sci-fi books that contain author-created words so that I can see how the words are spelled instead of only hearing them, but I had no trouble with that issue in this audiobook because there were so few unfamiliar words. I gave Binti three or three and a half stars out of five. I am intrigued by the novella and the author’s writing and creativity, so I may continue the series or read more from the author in the future.

 

Adult Fiction · Book Review · Fantasy/Magical Realism

Black Leopard, Red Wolf

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One of my goals for my blog this year is to review more new releases. This book got a lot of buzz from the start because the author, Marlon James, won the Man Booker Prize in 2015 for A Brief History of Seven Killings. I haven’t read that book, or any of his other work yet, but I could not resist the fact that Black Leopard, Red Wolf is an African myth-filled epic journey of a sort of anti-hero. I’ve seen marketing calling it “an African Game of Thrones.” Um… well, no. When I think of A Song of Ice and Fire, I think about complex political maneuvering, multiple characters’ point of view, Euro-centric myth and creatures, etc. Black Leopard, Red Wolf does not quite fit that description, which– I think– is a very important distinction to make. In fact, I would not even recommend this book for your general fantasy lover. It is also very dark and perhaps controversial. If gore, violence, homosexual relationships, descriptions of genitalia or sex acts, or rape (of basically everyone and everything) bothers you, beware of this book.

Black Leopard, Red Wolf focuses on one main character, Tracker. There are many, many characters throughout the novel, but the book is written in first person with Tracker as our main character and narrator. All we know about Tracker is that he has a nose that smell out anyone, and one of his eye’s is a wolf’s. The novel begins with Tracker speaking directly to you, with “you” being an inquisitor. We are given small hints about Tracker’s current situation and about this inquisitor throughout the tale, but Tracker tends to skip around in his storytelling. We learn about Tracker’s childhood a bit, his life in the African bush and with other tribes, how he met some of his companions, and a few tales of his past feats. However, the majority of the novel deals with Tracker being hired to find a mysteriously missing boy in the company of witches, shapeshifters, demons, spirits, and gods.

Trying to give a synopsis of this one is challenging, but I would highly advise reading a few pages before you buy it. Again, this isn’t your average fantasy novel. It is very, very lyrical and descriptive. The language and scenes are often surreal, and some reading between the lines may be needed to discern what is actually happening. I had a hard time at the beginning of the novel because I honestly had no idea what was going on. However, once I became accustomed to the writing style, characters, and plot, it became overall very enjoyable to read, if still challenging. I would not say that this is a novel that you can lose yourself in the world. The setting is amazing and unique, but the book is a little lax about explaining the hows and whys of the world. There’s no tidy Brandon Sanderson magic system here. Having some knowledge of African folklore might help you though. There is also a list of important characters/creatures that can be helpful to refer back to as you read.

The plot and characters are both very interesting. As I said, there are quite a few characters that come and go throughout the novel. It might be hard to remember everyone, but the main cast stays somewhat constant once you get to the main journey. Tracker and a few of the characters close to him are well written, but secondary characters often make an impression too. They all have distinct personalities with their own motives to drive them. One thing I like about Tracker being the narrator is that there are a lot of “holes” in the story. Tracker sometimes becomes separated from his comrades or knocked out, he may choose to leave something out of his narrative, or characters leave and return from their own journeys. In these moments we simply don’t know what happened to the other characters unless they tell Tracker and he tells us. This not only adds character depth but it also adds a lot of “off the page” plot, which sometimes pops back up later in the story and other times remains unexplained.

The plot could be confusing, especially early on. Tracker skips around a bit at the beginning of the novel. Once he begins talking about his quest for the missing child things start to make more sense and become more linear. This is going to be a trilogy, so it should be no surprise that this first books spends a lot of time setting up the plot, the world, and the characters. Much of the book is a mystery in that we do not know who this missing boy is or why everyone wants him. Each character Tracker encounters seems to have their own story about the boy. Who is lying? Who can Tracker trust? Most of the book is spent chasing the boy’s scent, which means a lot of traveling. If you don’t like travel adventures, you may dislike this first book, but in my opinion, enough happens in each location that it does not become boring.

Yes, this book has political maneuvering, but it is not quite to the scale of A Song of Ice and Fire (yet?)Yes, it has multiple characters, but they don’t have their perspectives. Yes, there is a lot of myth and magic, but it all feels very different than European-based fantasy. There is a raw, feral, and unforgiving feel to this novel. If you already like fantasy or magical realism and you also like surreal descriptions, lyrical writing, dialogue with dialects, don’t mind a little work to get into a book, and you don’t mind some dark themes, this might be a book for you. I would not go into expecting Game of Thrones or any other more mainstream fantasy. As someone who really likes unique fantasy and loves slightly overwritten novels, this is a pro for me, but I hesitate to say it is a book that a general fantasy lover would be interested in reading. Black Leopard, Red Wolf gets four solid stars out of five from me. I look forward to reading the rest of the trilogy in the future. It was certainly a memorable experience like nothing else I have ever read.

Book Review · Nonfiction

Heart of Dankness

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Whether you like it or not, marijuana is becoming more and more mainstream for both medical and recreational use. According to many polls being thrown around in the news, most Americans have either smoked weed, support legalization, or both, so the odds are that a few of you reading this have smoked it and/or are cool with it. So, let’s be cool with it. Heart of Dankness provides an inside look at the current culture of cannabis.

Heart of Dankness follows author Mark Haskell Smith’s quest to define the term “dank.” You’ve probably heard of the word dank in some context, but it can have several meanings in the world of weed. Some think of “dank” as an essential part of quality cannabis, while others see dankness as a way of life or a simple descriptor. The author begins and ends his book at the Cannabis Cup, an annual marijuana contest held in Amsterdam. In between his experiences at the Cup, he interviews many different people who work in the cannabis industry from seed companies and underground growers to medical professionals and legalization activists. The book is informative and fun. It is partially about a stoner on the hunt for the best stuff to smoke, but there is more to it than just that. The culture around this plant is so varied. The book gives a glimpse into the serious and scientific part of the industry, and the people involved aren’t always the stereotypical stoner.

When reviewing nonfiction, I think it is important to mention what kind of knowledge level you need of the subject matter to understand and enjoy the book. So, how much weed knowledge do you need to enjoy this? Not a whole lot. I am no expert, but I know some very basic things and terms like indica, sativa, THC, CBD. The author is pretty good about quickly defining terms, but it isn’t difficult to look something up if you want more information. The book gets into some technical terminology for genetics and botany, but it is explained well for a general audience.

Not only does the title make give me the literary giggles but this is actually a very funny book. The author is such a conversational writer, and the way he portrays himself is perfect. As I read, I pictured the author as a slightly awkward guy who is genuinely eager to learn all about this plant. He unapologetically asks the dumb questions for us and gets good answers from his interviewees. I don’t know how he was able to get close to all of these Cannabis Cup winners, underground legends, or professionals in the industry, but he makes good use of his experiences and describes them well. I was particularly impressed by how he described the eccentric characters he met during his journey. It was very easy to get a clear picture of the people he met. Smith also has some very poetic lines when he describes some of his experiences with the plant. The dude can write!

I had a lot of fun with this one. It’s a fairly short read (~230 pages) that is packed with facts and humorous moments. If you’re interested in either the recreational or medical side, or both, you’ll probably learn a lot and enjoy this book. Even if you’re an expert on the plant, the author’s unique experiences were worth reading about. I gave Heart of Dankness four out of five stars.

Adult Fiction · Book Review · Fantasy/Magical Realism

The Kingdom of Copper

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I don’t usually review sequels here because to care about the sequel, you probably need to have read the first book. It’s also hard to talk about a second book in the series without spoiling anything, but my reading time has taken a big hit this year because of work, so we can’t be too choosy about what we review! But, I have to say, The Kingdom of Copper helped me get out of a bad reading slump because it’s just a fun, creative series that I genuinely enjoy.

Nahri thought she was just a regular orphan girl from Cairo with some… odd powers. But one day she accidentally summoned a djinn who whisked her away to a whole new, mythical world. In The City of Brass we followed Nahri and her friends as she became accustomed to her magical home of Daevabad and her new life as part of its royalty. In The Kingdom of Copper there is trouble brewing in Daevabad. The various tribes of djinn have always had their grievances about each other, but now the city has become a tinderbox looking for a spark. When everyone has their own motives for power and peace, Nahri must confront both her friends and enemies for a happy future in Daevabad for her and her people.

I would say that author S. A. Chakraborty stepped up her writing in this sequel. I mentioned in my review of The City of Brass that the book read a little on the Young Adult side and would be a good series for readers who are looking for something to bridge the gap between YA fantasy and adult fantasy. The Kingdom of Copper still has a slightly younger leaning to its writing and characters, but overall, both the writing and characters have matured a lot. Since there appears to be a gradual maturing of the writing and characters, I maintain my judgment about this series being great for readers who are just getting into adult fantasy from YA fantasy. There’s still a bit of a love triangle in this book, but it does not get in the way of the plot. In fact, I would even say that slightly awkward romantic asides in book one were practically absent in book two. In my opinion, this is a good thing, but if you like a good bit of  romance in your fantasy, this series might not be the best choice.

I really like the characters in this series. Nahri has a lot of spunk, but she isn’t stupid or reckless. She is a smart, resourceful girl who knows when to bide her time for sweeter revenge later. She was a little too headstrong and emotional in book one, but Nahri was the character that I felt grew the most in this sequel. Ali, a prince of Daevabad, has also matured as both a warrior and diplomat. He is still very rigid in his beliefs, but he has learned to use his brain and brawn much more carefully. I would say that all of the main cast (and there are quite a few) are well written with a good amount of depth. The secondary characters (again, quite a few of them) have less purpose and depth and seemed to be there mostly to have a sad death scene. Maybe some of them could have been utilized more, but it would have been difficult to give them all a good amount of “page time” without derailing the story or making it overly complex.

Probably my favorite thing about this novel and this series is that it is so politically intricate. I would not say it is as complex as something like A Song of Ice and Fire, but I loved how every single character had their own independent agendas in addition to their tribe’s or group’s plans. Even if Character A is on one side of a fight, Character A may still sympathize with another group’s plight in some specific ways. In short, it felt realistic. War is never completely black and white because of all of the different lives that get tangled up in it. The Kingdom of Copper just does gray areas well. I rooted for specific characters instead of taking just one side, which made my feelings about certain events mixed– both happy and yet sad. And although I do not want main characters I love to die, I hope the author considers the possibility in book three so that this does not become a series in which everything and everyone has a happy ending. It would not feel as realistic as I have come to expect from the first two books.

I really look forward to the last book in this series. I feel like it will come to another happy/sad conclusion, but it will be a realistic and fulfilling conclusion. A lot of bad things happen in this series, but there has yet to be a big event where justice is served. I am hoping that book three will give me the closing I am craving. When the time comes, I will be on the lookout for an ARC of the last book, and you’ll probably see a review. But, here’s to at least a year of waiting.

 

Adult Fiction · Book Review · Fantasy/Magical Realism

The City of Brass

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I looked at my shelves the other day and realized that there was nothing on my there that I was truly interested in reading at the moment. This has been a big problem for me in the past year, so I took a couple of bags of books and sold them to a secondhand bookstore. While I was there and because of my reading slump, I decided to buy one book that I was interested in reading right that second, take it home, and read it immediately. So, I did.

Nahri scrapes by in 18th century Cairo by being a little shady in her business dealings. She steals, lies, and cheats her way to a meager living every day. It helps that she has some magical abilities like healing small wounds and instantly understanding most languages she hears. When she attempts a ritual to remove the supposed spiritual possession from a child, she accidentally summons a real djinn. Dara the djinn introduces Nahri to a hidden, magical word populated by the djinn, their descendants, and a whole host of strange mythological beings. Nahri quickly learns that she has a stake in this magical world that she never asked for.

I haven’t had this much fun reading a book in a while. In many ways, this book is nothing too ground breaking or special, but there’s actually quite a bit going on under the surface. To begin with, this is a novel based on Middle Eastern mythology and Islamic beliefs. The author herself is a Muslim convert. The novel is told in third person perspective with a focus on the perspectives of Nahri and Ali, a prince in the djinn’s world. The world is expansive and the characters are interesting, but the novel suffers from a few issues and tropes common to recent fantasy releases. However, it has a lot more complexity and heart than many overly hyped reads in the same vein.

Although this book is classified as adult fantasy, it reads a little younger. The writing itself, some of the plot devices (read: tropes), and some of the characters come off a bit “less adult” than I usually read. There’s actually quite a bit of violence and some adult themes though, so don’t be too turned off by the slight YA feel. If anything, it just reads more quickly because of this, but it does not feel overly childish. If you usually read adult fantasy, you may have some issues with the writing, but if you usually read YA and are looking to dip your toe into adult fantasy, this would be an excellent starting point.

A few common complaints I see from other reviewers are that the world is too confusing (there’s a glossary in the back of the book!), there is a lot of information dumping, and that the plot becomes too slow in the middle of the novel. I would say that I partially agree with all of those comments, but I feel like the book deserves a little defense in those respects. The world building of the novel is actually quite good in my opinion. The world feels “off the page,” meaning that it feels like it has a long, rich history intertwined with some of familiar real-world history. Does the mythology and history of the world get “dumped” on the reader all at once? Maybe.

The book is packed with action and adventure, but near the midpoint there is a definite dip in action. There is a long travel sequence in the early to middle part of the book. During the traveling, the characters discuss the history of the world at length. Because this information about the world is sandwiched between so much action and because of the complexity of the world, I can see why many readers complain about the slowness of the middle of the novel. While I do wish that the travel scenes were shorter and that the world building was woven more smoothly throughout the novel, it isn’t a major issue in my opinion. However, I do feel like too much of the history/mythology of the world was packed into the first book in the series. The end in particular felt as if the author was throwing a lot of mythological curve balls at the reader to add twists and complications to what you thought were the rules of the created world. This was a bit confusing, but it also intensified my desire to read the sequel so that I could hopefully get some answers.

Remember when I mentioned tropes earlier? As with many fantasy novels, we have the “normal girl finds out she is special and has to save the world” plot. Although the first book is not yet focused on saving the whole world, it hints at larger evils and problems to come in the subsequent books. To me, the more egregious trope is the dreaded love triangle. I hope that the sequel dispels the implications that a love triangle is developing, but it is a possibility that it may become more integral to the plot as it moves forward. There’s also (unless I am reading it completely wrong) some hope of a bi/gay relationship between a couple of the characters. Despite all of the romantic speculation, I would not say that this book is a romance masquerading as a fantasy, as some YA and adult fantasy seem to be guilty of doing. Although the romantic pairings have some importance to the plot, it does not distract from the major plot devices so far.

This review actually turned out to be pretty long, so I think I will wrap it up. The final verdict: The City of Brass is an imperfect but extremely entertaining and interesting fantasy novel. It gets tangled up in a few tired tropes, but it is overall worthy of some recognition for its representation, creativity, world building, and endearing but flawed characters. I thoroughly enjoyed reading The City of Brass, and I plan to pick up the sequel, The Kingdom of Copper, released on the 22nd of January in the U.S. I gave The City of Brass a rating of 4 out of 5 stars.

 

Adult Fiction · Book Review · Children's Fiction · Fantasy/Magical Realism · Young Adult Fiction

Odd and the Frost Gaints

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What would 2019 be without some Neil Gaiman? The edition I chose to read is illustrated by Chris Riddell, who sometimes provides illustrations for Gaiman’s works as well as writes and illustrates his own books. He and Gaiman have worked together on editions of Gaiman’s The Graveyard Book, The Sleeper and the Spindle, and Fortunately, the Milk… I absolutely love Gaiman’s fun, fantastical stories being accompanied by Riddell’s fairy tale-esque, full-of-personality illustrations.

Odd and the Frost Giants follows a boy named Odd. Odd’s father died in a Viking raid, and his mother married another man she was not in love with. Odd, unhappy with his new living situation, leaves his village to stay in his father’s woodcutting hut. He meets three strange animals in the forest who are much more than they appear to be. It is up to Odd to help the animals reclaim their true forms and their homeland.

In case you don’t already know, Odd and the Frost Giants is a short, lighthearted story about the Norse gods Odin, Thor, and Loki. Picture it as Neil Gaiman’s Norse Mythology-lite. It is a simple adventure story that would be appropriate for both young and older readers, but the language is not overly simplistic. If you have some knowledge of Norse mythology, you will find a few Easter eggs and nods to other Norse myths in Odd, but having little to no knowledge will not hinder your enjoyment of the tale at all.

I would recommend Odd and the Frost Giants to anyone who enjoys an adventure story, Norse mythology in a more lighthearted structure, and fans of Gaiman’s other writing. Odd and the Frost Giants is a quick and enjoyable read, but it is not necessarily the deepest of Gaiman’s work, if that is what you are looking for.

Lists & Tags

2018 in Review, Looking Forward to 2019

Hello, fellow readers! If you’ve been around this blog for a while, you know that I always try to make a looking back and looking forward post at the end or beginning of each year. I love seeing what goals or reading trends other readers have each year, so I thought I would share my own with all of you. I hope you have all had a good reading year in 2018, but even if you did not, here’s hoping 2019 is better for everyone!

In 2018, I found a spreadsheet that I could fill out and track my readings statistics throughout the year. Although I am sure that other readers have made these, I downloaded my template from Portal in the Pages on YouTube. This spreadsheet tracked basic book information, author information, reading statistics, my TBR pile, and much more. This would be a very long post if I shared everything I tracked, so I will share what stats I found most interesting.

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To begin with, I read 58 books with a total of 22,579 pages in 2018. This was a decrease from 2017 and 2016 in which I read 79 and 130 books, respectively. I anticipated this decrease in reading because I started a new job and was extremely busy with other things. Overall, I am happy with reading 58 books, but I would like to read more in 2019.

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Of those 58 books, none received 1 star, and eight books received 5 stars. I usually have at least a few 1 star ratings, but I was more picky about what books I read in 2018. This was also my first full year without any required reading for school, so I did not rate many books low since I picked them myself.

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Looking at genre, it was no surprise that I read mostly fantasy this year because that is my go-to genre every year. My second most read genre was historical fiction, which was slightly surprising. Graphic novels followed close behind. One of my 2018 reading goals was to read more nonfiction. I read more than past years, but I am unhappy with how little I read compared to how many more I have on my TBR. I plan to continue my goal of reading more nonfiction in 2019. I was surprised that nearly 10% of my reading was in the horror genre. I’ve been a chicken about horror for most of my life, but I have recently dipped my toe into the genre with pleasant results. So far, I have 10 horror novels on my TBR for 2019, so I am curious how my reading percentages will change next year.

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Another of my 2018 goals was to read more diversely. I noticed in past years that most of the authors I read were white males from the United States or the UK. I would give myself maybe a C+ on this goal. I read more female authors for sure (however, no no-binary authors at all), and I read more books by POC than past years. I would like to read 50/50 white/POC authors in the future. From what I can remember of my reading, most of the POC authors I read were from Asia. I read some books from African American authors, but not as many as I planned to. As you can see from the bottom chart, most authors were from North America, then Europe, followed closely by Asia, and just a sliver from Oceania. In 2019, I hope to read from more different areas of the world and continue to read more female and POC authors. Luckily, women and POC authors are becoming more and more common in my go-to genre of fantasy.

To wrap up, I want to continue with my 2018 goals into 2019. This means reading more diverse authors, more nonfiction, and to branch out of my fiction comfort zones more. I will very likely do another spreadsheet like this next year because I found it extremely interesting to track all of these in-depth stats.

That’s it for me in 2018! See you all next year! 🙂

Adult Fiction · Book Review · Fantasy/Magical Realism

Deathless

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So, I really like fairy tales, folklore, and mythology. I also like the fantasy genre. If you give me a fantasy novel that has a lot of inspiration from the fairy tales, folklore, and mythology, I am almost certainly going to love it. Meet Deathless, a fantasy novel with a heavy dose of Russian folklore and fairy tales.

Marya Morevna is a human girl living in Russia during the Russian Revolution. Throughout her childhood, Marya occasionally saw glimpses of what she called “magic.” Her sisters married birds who turned into men before her eyes, and she has seen domovoi meetings within her family’s home. So, when another bird-turned-man shows up at Marya’s door asking for her hand in marriage, she isn’t too surprised. In fact, she expected it and waited eagerly for the day. However, her husband to be isn’t quite what she pictured. What she does not yet know is that her future husband is Koschei the Deathless.

I could say more. I could say a lot more, but just know that this novel is packed with Russian myths, history, and culture. I will admit that a lot of it went over my head in the early chapters. Since I never studied much Russian anything in college, I was torn between looking up the tales and avoiding them like the plague because of possible spoilers. If I could go back in time before I started the novel, I would probably brush up on the stories about Koschei as well as other Russian mythological creatures and figures. Doing this might help add some context to the references and make it easier to picture some of the other creatures/characters. Even though the author takes her own creative liberties with certain details, having some foundation of what she is describing would have helped me at least.

OK, onto the regular stuff. How are the characters, plot, and everything else? Pretty great, actually. Marya grew as a character at a believable and nonlinear pace. She started out as a young, naive girl, and even though she did something brave, strong, or clever, that does not mean she will always be brave, strong, or clever in the future. Sometimes she regressed a bit as she progressed, and I found that to add a lot of depth and realism to her character. She also struggled with morality, power, and relationships. Marya is flawed and imperfect, but it is impossible not to cheer for her and her fiery spirit to succeed. The other “demons” in the story, like Koschei, were lively and well written, but some of Marya’s less important friends and allies didn’t make as much of an impression.

I admittedly struggled with the plot of the novel, but I think that was more of a problem with my own mindset than it was with the book itself. I got into a horrible reading slump at end of November and start of December that made me not want to pick up anything. The beginning of Deathless went a bit slowly as we are introduced to Marya and watch her grow up. When Koschei entered the picture around fifty pages in, the plot sped up, as did my interest. Without my reading slump, I would likely have had no issue with the pace.

Deathless is a very unique read that fans of Russian folklore or general fantasy might adore. My verdict is a rating of 4 out of 5 stars, but I would not be opposed to changing my rating to a 5 when I inevitably reread this one.

 

Adult Fiction · Book Review · Contemporary

Mira Corpora

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This was a weird one. I keep seeing a specific line associated with this book everywhere. This novel is supposedly “a coming-of-age story for people who hate coming-of-age stories.” That alone got my attention. I am not a big fan of coming-of-age stories any more, but that’s a unique way to sell your book.

Mira Corpora is a fantastical autobiography. Some of it might be true, but there’s probably at least a little extra magic and drama thrown in. It is written as if the author, Jeff Jackson, went through everything, but it is also implied that some things are made up. I would put aside guessing what is true and what isn’t while you read the novel. Just enjoy the wild ride. It is dark, heartbreaking, and haunting. There are homeless feral children, a missing rock star, and a boy who seeks to find himself by himself.

Mira Corpora is not an enjoyable read in the same way that A River in Darkness is not “fun” to read. At least some of Mira Corpora really happened, and Jeff Jackson is just a kid throughout most of the book. There are some terrible things that happen to him, so I’ll just say that a broad trigger warning is probably needed for this one. If you can get past poor Jeff’s trials, it has a very interesting but meandering plot. Parts were surreal and felt like a drug-induced haze. Other parts are just tragic. The main character’s growth is easy to see. There are part or section headings that tell how old he is, but beyond his age, he slowly becomes more self assured and confident, while the earlier sections have a touch more innocence and child-like wonder.

I’ve really never read anything quite like this, so I am having a lot of trouble reviewing it. Think of something like Lord of the Flies, but with one kid trying to survive, some untrustworthy adults in our often strange and unforgiving society, and scenes that almost make you feel high but also sad. If you’re looking for something truly different and you want a book that is “a coming-of-age story for people who hate coming-of-age stories,” this might be for you. At the very least, the novel made me want to know more about the author’s life. Three out of five stars for Mira Corpora, mainly because there’s a lot to digest, and it was a bit too dark for my mood when I read it.